EXT. AUNT MAY’S BACKYARD - NIGHT
QUICK CUTS a hand opening the padlock. The LIGHTS in Peter’s hideout flooding on to REVEAL AUNT MAY sitting in wait, sipping tea.
AUNT MAY: Took you long enough.
EXT. BROOKLYN - WILLIAMSBURG SAVINGS BANK - NIGHT
Clouds gather. Total coincidence. PUSH IN on a gargoyle near the building's very tippy top.
We don't see ANYONE. Until... Lightning REVEALS a CAMOUFLAGED MILES.
With each strike, we FLASH to Miles’ journey to get to the top of the building. FLASH! Miles exits the subway. FLASH! Miles approaches the Spider-man suits in the Spidey hideout. FLASH! Miles SPRAY-PAINTS A SUIT.
JEFFERSON (V.O.): I see this spark in you. It’s amazing. Whatever you choose to do with it you’ll be great.
RIO (V.O.): Our family doesn’t run from things.
UNCLE AARON (V.O.): You’re the best of all of us, Miles. You’re on your way. Just keep going.
MILES (V.O.): When do I know I’m Spider-Man?
BACK ON MILES-- Moving closer and closer to the edge.
PETER (V.O.): You won’t. That’s all it is, Miles... a leap of faith.
Miles walks to the edge of the roof, the wind buffeting... and LEAPS! The camera is UPSIDE DOWN. Miles isn't falling through frame. He's RISING.
CUT TO Miles SPRAY PAINTING his new uniform. DISINFECTING HIS MASK. PUTTING BABY POWDER ON THE JOINTS.
BACK LIVE, Miles is OUT OF CONTROL, flailing. Miles shoots a web upwards between his legs...The webbing STICKS to a building...
Miles SNAPS on web-shooters as Aunt May watches.
AUNT MAY: Made ‘em myself. They fit perfectly.
Miles BEGINS TO SWING. He moves with purpose through New York, slides between taxis, across windows.
He swings up on top of the Brooklyn Bridge and catches his breath. In the distance, we see Fisk Tower. He’s ready.
COVER PAGE: SPIDER-MAN: MILES MORALES